Leah Chase, whose restaurant Dooky Chase’s helped change New Orleans, dies at 96

“African-Americans didn’t have restaurants like that to go to. When I came here, I said, ‘We’ve got to change things,’” said Chase. ”Growing up, mother always kept nice things for company. Nice glasses, nice things. That’s how we look at it here. Everybody who comes through that front door is my company. People deserve that.”

Leah Chase, whose restaurant Dooky Chase’s helped change New Orleans, dies at 96 | Food/Restaurants | theadvocate.com

RIP

Tampons Confiscated, Guns Allowed as Texas Senate Debates Abortion

Tampons Confiscated, Guns Allowed as Texas Senate Debates Abortion – The Atlantic

Seems like some members of the Texas State Troopers need to lose their freaking jobs.

If the decision was based on the need to protect legislators the fact that guns were allowed through strongly suggests a willful dereliction of duty.

Any other rational for the decision to confiscate birth control and feminine sanitary products but not actual weapons indicates crass prejudice.

At best, it was insensitive and wholly unprofessional but whether it was gross incompetence or malicious abuse of power, the troopers involved should be relived of their badges.

After a $14-Billion Upgrade, New Orleans’ Levees Are Sinking

The growing vulnerability of the New Orleans area is forcing the Army Corps to begin assessing repair work, including raising hundreds of miles of levees and floodwalls that form a meandering earth and concrete fortress around the city and its adjacent suburbs.

“These systems that maybe were protecting us before are no longer going to be able to protect us without adjustments,” said Emily Vuxton, policy director of the Coalition to Restore Coastal Louisiana, an environmental group. She said repair costs could be “hundreds of millions” of dollars, with 75% paid by federal taxpayers.

…The agency’s projection that the system will “no longer provide [required] risk reduction as early as 2023” illustrates the rapidly changing conditions being experienced both globally as sea levels rise faster than expected and locally as erosion wipes out protective barrier islands and marshlands in southeastern Louisiana.

…“We should be looking at higher than a 100-year standard, but not through levees alone,” Lopez said, calling for Congress to pay for natural barriers that build up coastal buffers. “We need a higher standard, but it should never be a single-type solution because we’ve seen that doesn’t work.

After a $14-Billion Upgrade, New Orleans’ Levees Are Sinking – Scientific American

Given that both climate change and the desctruction/erosion of the evenvironment at the mouth of the Mississippi were already a given when the project started one is compelled to wonder if the underlying thinking behind the Army Corp’s approach to the situation is not deeply flawed from the get-go.

Louisiana’s Disappearing Coast

Since the days of Huey Long, Louisiana has shrunk by more than two thousand square miles. If Delaware or Rhode Island had lost that much territory, the U.S. would have only forty-nine states. Every hour and a half, Louisiana sheds another football field’s worth of land. 

…Thousands of miles of levees, flood walls, and revetments have been erected to manage the Mississippi. As the Army Corps of Engineers once boasted, “We harnessed it, straightened it, regularized it, shackled it.” This vast system, built to keep southern Louisiana dry, is the very reason the region is disintegrating.

…Whenever it overtopped its banks—something it used to do virtually every spring—the river cast its sediment across the plain. Season after season, layer after layer, clay and sand and silt built up. 

…Bienville went on to found New Orleans, in 1718, in spite of his cold, wet feet. The new city, called, in honor of its watery surroundings, L’Isle de la Nouvelle Orléans, was laid out where the land was highest. Counterintuitively, this was right up against the Mississippi. During floods, sand and other heavy particles tend to settle out of the water first, creating what are known as natural levees.

…By the seventeen-thirties, slave-built levees stretched along both banks of the river for nearly fifty miles.

…Had the river been left to its own devices, a super-wet spring like that of 2011 would have sent the Mississippi and its distributaries surging over their banks. The floodwaters would have wreaked havoc, but they would have spread tens of millions of tons of sand and clay across thousands of square miles of countryside. The new sediment would have formed a fresh layer of soil and, in this way, countered subsidence.

Thanks to the intervention of the engineers, there had been no spillover, no havoc, and hence no land-building. The future of southern Louisiana had, instead, washed out to sea.

..Since the close of the crevasse period, land loss to the south has brought the city some twenty miles closer to the Gulf. It’s been estimated that for every three miles a storm has to travel over land its surge is reduced by a foot. 

…Since Billiot was a child, the island has shrunk from thirty-five square miles to half a square mile—a loss in area of more than ninety-eight percent.

The island is disappearing for all the usual reasons. It’s part of an ancient delta lobe whose soil is compacting. Sea levels are rising. In the early part of the twentieth century, it lost its main sources of fresh sediment to flood-control measures. Then came the oil industry, which dug canals through the wetlands. The canals pulled in salt water, and, as the salinity rose, the reeds and marsh grasses died. The die-off widened the channels, allowing in more salt water, causing more die-off and more widening.

…With each successive storm, another chunk of land was lost and more families left. In the early two-thousands, a ring of levees was erected around the remnants of Isle de Jean Charles. These turned the bayou where people had once fished and crabbed into a narrow, stagnant pond. Inside the levees, land loss slowed. Outside and along the road, it only got worse.

…The Isle de Jean Charles band had been able to live peacefully on the island only because it was too isolated and commercially irrelevant for anyone else to take an interest in. The band had had no say in the dredging of the oil channels or in the layout of the Morganza to the Gulf project. They’d been excluded from the efforts to control the Mississippi, and, now that new forms of control were being imposed to counter the effects of the old, they were being excluded from those, too.

……He was referring to Asian carp, which were brought over from China in the nineteen-sixties and seventies. The fish, which had been imported to provide algae control, escaped from hatcheries during flood season and found their way into the Mississippi, and from there into virtually all of the river’s major tributaries. In some stretches of the Illinois River, Asian carp now make up ninety per cent of the fish stock by weight. Like the dissolution of the Louisiana coast, the carpification of the Mississippi basin is a man-made natural disaster. 

…As the flow on the Atchafalaya increased, it widened and deepened.

In the ordinary course of events, the Atchafalaya would have kept widening and deepening until, eventually, it captured the lower Mississippi entirely. This would have left New Orleans low and dry and rendered the industries that had grown up along the river—the refineries, the grain elevators, the container ports, and the petrochemical plants—essentially worthless. Such an eventuality was thought to be unthinkable, and so, in the nineteen-fifties, the Corps stepped in. It dammed the former meander, known as Old River, and dug two huge, gated channels. The river’s choice would now be dictated for it, its flow maintained as if it were forever the Eisenhower era.

…At around 7:45 a.m., the levees on the Industrial Canal failed, sending a twenty-foot-high wall of water crashing through the Lower Ninth Ward. At least six dozen people in the predominantly African-American neighborhood were killed. Water was also surging into Lake Pontchartrain. As the hurricane pushed inland, this water was forced south, out of the lake and into the city’s drainage canals. The effect was like emptying a swimming pool into a living room. Soon the flood walls on the Seventeenth Street and London Avenue Canals gave way. By the next day, eighty per cent of the bowl was underwater.

…All sorts of radical ideas were put forward, and then shelved. Retreat might make geophysical sense; politically, it was a non-starter. And so the Corps was charged, yet again, with reinforcing the levees—in this case, against storm surges coming from the Gulf. South of the city, the Corps erected the world’s largest pumping station, part of a $1.1-billion structure called the West Closure Complex. To the east, it constructed the Lake Borgne Surge Barrier, a concrete wall nearly two miles long and five and a half feet thick, which cost $1.3 billion. The Corps plugged the Mississippi River Gulf Outlet with a nine-hundred-and-fifty-foot-wide rock dam and installed massive gates and pumps between the drainage canals and Lake Pontchartrain. The pumps at the foot of the Seventeenth Street Canal were designed to move twelve thousand cubic feet of water per second, a flow greater than the Tiber’s.

…Today, there are twenty-four stations, which together operate a hundred and twenty pumps. During a storm, rain is funnelled into a Venice’s worth of canals. Then it’s channelled into Lake Pontchartrain. Without this system, large swaths of the city would quickly become uninhabitable.

But New Orleans’s world-class drainage system, like its world-class levee system, is a sort of Trojan solution. Since marshy soils compact by de-watering, pumping water out of the ground exacerbates the very problem that needs to be solved. The more water that’s pumped, the faster the city sinks. And, the more it sinks, the more pumping is required.

…BA-39 had proved, not that further proof was really necessary, what enough pipes and pumps and diesel fuel can accomplish. Nearly a million cubic yards of sediment had made the five-mile journey, resulting in the creation—or, to be more accurate, the re-creation—of a hundred and eighty-six paludal acres. Here were all the benefits of flooding without the messy side effects: drowned citrus groves, drowned people, cows hanging from the trees. “We took centuries of land-building and we did it in a year,” Simoneaux observed. The bill for the project had been six million dollars, which, I calculated, meant that the acre we were standing on had cost about thirty thousand dollars.

…To match the pace of land loss, the state would have to churn out a hundred and eighty-six acres every nine days. Meanwhile, the artificial marsh had already begun to de-water and subside. 

…The agency’s master plan calls for punching eight giant holes through the levees on the Mississippi and two more through those on its main distributary, the Atchafalaya. The openings will be gated and channelized, and the channels will themselves be leveed.

…Currently, the bill for the project is estimated at $1.4 billion. The next diversion in line, the Mid-Breton, which is planned for the east bank of Plaquemines, is priced at eight hundred million dollars. Financing for both diversions is supposed to come out of the settlement fund from the BP oil spill, which, in 2010, spewed more than three million barrels of oil into the Gulf, fouling the coast from Texas to Florida.

…Once the structure was completed, Barth explained, the gates would be opened when the river was at flood stage and carrying the most sand. After a few years, enough sediment would be deposited in Barataria Bay that terra semi-firma would start to form. The diversion would be powered by the river itself, instead of by pumps, and, in contrast with projects like BA-39, it would continue to deliver sediment year after year.

…“Sea level will continue to rise,” he said. The diversions planned for Plaquemines would add some land back to the marshes south of the city, and so, too, would more conventional dredging projects, like BA-39. “But I think the areas that don’t get restored will flood more and more frequently. There will be continued wetland loss.” The city once known as L’Isle de la Nouvelle Orléans would, in coming years, Kolker predicted, “look more and more like an island.”

Louisiana’s Disappearing Coast | The New Yorker

Sigh…

DOJ says Alabama prisons likely in violation of Constitution – al.com

U.S. Attorney Richard Moore of the Southern District of Alabama said in a statement the findings indicate a “flagrant disregard” for the constitutional ban on cruel and unusual punishments.

…For years, Alabama prisons have housed far more inmates than they were built for and employed too few correctional officers. Alabama Department of Corrections officials said the crowding and understaffing contribute to rising violence in prisons.

A spike in inmate suicides is one of the issues that has surfaced in a federal lawsuit over health care for inmates. U.S. District Judge Myron Thompson ruled in 2017 that mental health care for inmates was “horrendously inadequate.” The ADOC is under court orders to increase mental health staff and security staff.

…Over about the last five years, sentencing guidelines and criminal justice reforms enacted by the Legislature have reduced the prison population but it is still about 160 percent of the number prisons were built to hold.

…In 2014, the Justice Department found conditions at Julia Tutwiler Prison for Women were unconstitutional because of a failure to protect inmates from sexual abuse and harassment by male staff.

…Today’s notification concerned two of three areas covered by the investigation, whether prisoners were protected from violence and sexual abuse by other inmates and whether conditions were safe. A third remains pending, the DOJ said — whether prisoners are adequately protected from excessive use of force by prison staff and sexual abuse by prison staff.

DOJ says Alabama prisons likely in violation of Constitution – al.com

hmmm

Clinton cites 24th Amendment in response to bill that would require felons to pay fees before voting

Clinton cites 24th Amendment in response to bill that would require felons to pay fees before voting | TheHill

mmmhmmm

Virgin and Partners Want to Build Up Rail Travel in Florida

Cheap gasoline and the interstate road system are all very well, but they’ve caused congestion, pollution, urban sprawl and many road deaths. In contrast, Florida railway passengers can sip champagne or beer and make use of the free Wi-Fi. Ticket prices are reasonable. Once constructed, the Miami to Orlando journey should be slightly more than three hours. In good traffic, driving takes a bit longer than that.

…Building on existing rail corridors where possible, 1  and operating trains at slower speeds, has cut costs and overcome potential regulatory holdups in Florida.

Virgin Trains Billionaires Want to Restore Glory of U.S. Railroad – Bloomberg

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How New Orleans Reduced Its Homeless Population By 90 Percent

The group put all its effort behind gathering a rent assistance fund. 

…The team took a “Housing First” approach, which is “simply the idea that you accept people as they are,” whether they are sober or not.

“You just accept them as they are and you provide the housing first,” Kegel says. “Then, once they’re in their apartment, you immediately wrap all the services around them that they need to stay stable and live the highest quality life that they can live.”

…”It is costing the taxpayer a tremendous amount of money to leave people on the street. They’re constantly cycling in and out of jail on charges that wouldn’t even be relevant if they had an apartment, things like urinating in public, drinking in public, obstructing the sidewalk because they’re having to sleep on the sidewalk. Homeless offences, in other words, that are costing the taxpayers a lot of money to be putting them in jail and processing them through the criminal justice system. Their health is deteriorating while they’re out on the street. They’re being taken by ambulance to the emergency room constantly. Those are huge charges.”

…”This is permanent housing. How long the rent assistance lasts depends on what people need.”

How New Orleans Reduced Its Homeless Population By 90 Percent | Here & Now

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The women fighting a pipeline that could destroy precious wildlife at the mouth of the Mississippi

As colonial encroachment expanded, Houma people, the southern neighbors of the Caddo, moved further south into the remote swamps of the Atchafalaya near the Atakapaw, Choctaw and Chitimacha peoples. There, they evaded forced removals due to their inaccessible locations. Those conditions also brought escaped slaves into bayou communities, along with exiled Acadian French settlers from Canada. The amalgam of ethnicities and cultures led to what is known today as Cajun culture.

…In 1994, Exxon began dumping sludge in a waste dump installed next to the mostly Houma community of Grand Bois, Louisiana, making residents sick.

…The state-appointed toxicologist demonstrated a litany of health issues affecting residents, such as breathing, kidney and eye problems, skin rashes, birth defects, learning disabilities, cancer and high lead levels. She cited environmental contaminants as the likely culprit yet ultimately, she did not testify in court to a conclusive link to the site.

…“The BP spill was a disaster for our communities,” says Friloux. “It shut down our livelihood and the ability to provide for our families.” It destroyed the shrimping industry which is vital to the local economy. Similarly, clear-cutting ancient cypress forest and the disruption of sediment patterns by dredging canals and trenches to lay pipeline has choked out the crawfish population.

…The refinery corridor along the Mississippi river in St James – where the pipeline would end – is known as “cancer alley”. The mostly African American community is surrounded by refineries, and reports many of the same health issues seen in Grand Bois. No evacuation route exists should disaster strike, and the only bridge across the river was recently damaged by a barge carrying oil industry construction equipment, which closed the bridge for two months. Hemmed in on all sides by industry and the Mississippi, residents were forced to drive 40 miles round-trip to get essential supplies and to commute across the river for work.

“Forty-one percent of the United States’ water drains through our mighty river,” says Verdin. “The Mississippi Delta is a power point for the planet, a place where water comes to be purified. Yet we are a sacrifice zone.”

…The common ETP practice when a landowner refuses a buyout is to file an expropriation claim, then begin construction on the assumption it will be approved. In one instance however, the claim was not filed before construction began.

The landowners invited activists to set up camp on their property and mount resistance actions. Officers then arrested the activists, who were on land they had written permission to be on (trespassing on pipeline domain is a felony punishable by five years in prison according to a “critical infrastructure” law recently passed in Louisiana).

Construction of the pipeline is now complete on the disputed property, and 18 felony charges remain pending. 

…Foytlin became an environmentalist when she volunteered on the BP spill clean up. “I remember pulling a dying pelican out of the water covered in oil, and thinking that pelican didn’t have a voice and neither did the fisherfolk I was with – who were on their knees crying like children”, she says.

“Our goal is to create space where justice can be found”, she says. “Initially, we had three objectives besides stopping the pipeline. First, to establish an evacuation route for St James (the state says it is evaluating options). Second, to lift up the needs of the Atchafalaya Basin. Third, is to activate a group of people to make a better future for themselves.”

They recently added another goal: to bring light to the brutal tactics being used to attempt to intimidate them into submission.

…“Intimidation works,” she says, “but witnessing courage is like an immunization to that fear. That’s who we are at L’eau Est La Vie.”

The women fighting a pipeline that could destroy precious wildlife | US news | The Guardian

sigh….

Behind the Zulu blackface flap: liberal guilt, clueless outsiders

It’s not like it’s hard to find racism in the history and present practice of Mardi Gras. Just tune in to WYES on Mardi Gras night and watch the “public TV” station’s obsequious fawning over the king of white supremacy, a.k.a. Comus, in his very white mask, at “The Meeting of the Courts.” Get mad about the captains in Ku Klux Klan outfits in all the old-line parades on St. Charles Avenue. Never accept a throw from Proteus. Think twice about watching the Knights of Chaos parade, or Krewe d’Etat and, if you do, bear in mind how closely their satire echoes the spirit of old-line krewes that, in their glory days, led the fight to drown Reconstruction in a shower of blood. But if you’re looking for racism among the white riders of Zulu, you obviously have no clue what’s racist and what’s not in the universe of carnival.

I saw a great sign in the Société de Ste. Anne procession on Mardi Gras day this year. It said, “This Parade Fights Fascism.” Yes, and it does so by inverting and puncturing the prevailing ideological categories of domination. That’s exactly what Zulu is doing by putting black riders and their white allies together in an inverted version of a tool designed for racial oppression.

I realize that the vast majority of Americans have no idea what carnival is, or how to read carnival messages, and that’s OK. But maybe well-meaning liberal observers should take a page from their own playbook and not comment on cultures that they have no exposure to or appreciation for.

Behind the Zulu blackface flap: liberal guilt, clueless outsiders | The Lens

hmmmm

Zulu Social Aid & Pleasure Club, Inc.

Full Script – Official Press Release : NEW ORLEANS (2/13/19) – “Blackface” minstrelsy was a racist and vile form of entertainment popular from the 1820’s through the 1960’s. “Blackface” minstrel shows attempted to mimic enslaved Africans on Southern plantations and depicted black people as lazy, ignorant, and cowardly. In fact, one of the most popular “blackface” minstrelsy characters in America was “Jim Crow” – the inspiration for the harsh and oppressive laws that terrorized Southern blacks decades later. “Blackface” minstrel performances were intended to be funny to white audiences and hurtful to the black community.

Unfortunately, some ignorant people continue to costume in “blackface” minstrelsy through today. Shocking photographs periodically come to light exposing the fact that even some of our most respected citizens still engage in this racist behavior. Recent photographs showing certain high-profile individuals dressed as “blackface” minstrels reveal their hateful intent to demean, disrespect, discount, and demoralize African-Americans. The backlash to their conduct has thankfully been severe and the Zulu Social Aid & Pleasure Club, Inc. joins with countless others in condemning this behavior.

Blackface_Virginia Miltary Institute image
Unfortunately, the offensive conduct of these individuals might cause some to confuse those racist actions with our rich history and traditions – which include wearing black makeup during the Zulu parade. Those who incorrectly compare our use of black makeup to “blackface” minstrelsy can first look to our name to dispel that notion. Unlike minstrelsy, which was designed to ridicule and mock black people, the founders of our Social Aid & Pleasure Club chose the name “Zulu” to honor their African ancestry and the continent’s most fierce warriors. (The South African Zulu tribe, using vastly inferior weapons, defeated the British Army in 1879 in the Battle of Isandlwana handing Britain their worst defeat in history.) Zulu parade costumes bear no resemblance to the costumes worn by “blackface” minstrel performers at the turn of the century. Zulu parade costumes more closely resemble and are designed to honor garments worn by South African Zulu warriors.

Z ulu Warriors
Most importantly, the history of Zulu makes it abundantly clear that nothing about the organization, including the black makeup, was never intended to insult or degrade African-Americans. To the contrary, Zulu has always been about celebrating African and African-American culture, strength, and pride. After the Civil War, formerly enslaved Africans were left financially crippled. Unable to afford the cost of funerals, illness, and other necessitous circumstances, blacks formed their own societies or Social Aid and Pleasure Clubs which held social events to raise money for needy members. Following the lead of Social Aid and Pleasure Clubs, a group of African-American workers began to gather near their “uptown backatown” homes around 1901. These men formally organized into a benevolent society they named “The Tramps.” The Tramps held informal parades and parties at Carnival time. In 1909, a traveling black theatrical company brought a very popular comedy show, “Smart Set” to the Pythian Theater. The Smart Set contained musical numbers set in a Zulu village. The visual of strong Zulu warriors, with their grass skirts and spears inspired a member of the Tramps, John L. Metoyer. Metoyer embraced that visual and organized about fifty men to form the Zulu Social Aid and Pleasure Club. These “Zulus” paraded the following Mardi Gras in 1910. “Masking” is a central part of Mardi Gras. The financial and legal constraints on blacks in the Post-Reconstruction South made makeup (and not masks) the only option available to Zulu members at that time.

In conclusion, Loyola University New Orleans Professor C.W. Cannon has offered insightful commentary on and historical context for Zulu and its tradition of masking by using black makeup stating:

“It’s hard to measure the scope of Zulu’s influence on what the Times-Picayune’s Doug MacCash has called the “new” Mardi Gras, and on what I have called the restoration of carnivalesque carnival, after the dark ages of the white supremacist anti-carnival ushered in by the (formerly and currently segregated Krewes). It’s a remarkable testament to the resilience of carnival spirit that, in the midst of the white supremacist era . . . the Zulu king first stepped off a banana boat in the New Basin canal wearing a lard can crown. The date: 1909. That’s why it’s so upsetting — also a bit absurd — when people who have no understanding or appreciation for carnival aesthetics and social analysis chime in from hundreds of miles away with self-righteous finger-wagging. What they’re about is shaming traditions that are far more revolutionary than they are able to comprehend . . . “Zulu blackface”, the style of blackface worn by Zulu riders, is distinct from other forms of blackface viewed as offensive due to their history as a tool of white supremacist ideology . . . It calls into question the extent to which black people should be allowed agency in representing their own experience; it also places limits on how black people themselves choose to enunciate anti-racist arguments. In the best traditions of carnivalesque practice, Zulu has expropriated racist representations and inverted them as a form of anti-racist resistance. Those who say people shouldn’t try to do that kind of thing just don’t get what carnival is. Maybe because it’s not part of their culture. But it is a part of ours.”

* C.W. Cannon, Behind the Zulu blackface flap: liberal guilt, clueless outsiders , The Lens (March 10, 2017).

Col. Clarence A. Becknell, Sr.
Dir. Public Relations/Historian,Emeritus
Zulu Social Aid & Pleasure Club, Inc

Zulu Social Aid & Pleasure Club, Inc. – All yer mates scrawls

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New Orleans Group Accused of Wearing Blackface At Mardi Gras

Zulu is one of the many African-American Social Aid and Pleasure Clubs in New Orleans. The clubs sponsor community service projects, serve as social gathering spots and organize lively parades that wind through the streets of the city’s neighborhoods on Sundays. On Fat Tuesday, massive crowds gather along the parade route to watch the floats and try to catch a painted coconut, the Zulu prize throw.

…”The Zulu club was founded in response to the racism that was present in Mardi Gras where black people were not allowed to participate” in the parade-day celebrations of historically-white social clubs, said Shantrelle P. Lewis, an historian who studies blackface traditions, in an interview with NPR’s Michele Martin. For the Zulus, she said, “it was a way to combat some of the racism and segregation taking place in Mardi Gras.”

…”If you’re looking at the Zulu club within a tradition of masquerading and masking… then painting one’s face is a part of Carnival,” said Lewis. And as a proud New Orleans native, she said she finds the Zulu costume to be appropriate, given the context. “While it’s connected to minstrelsy, historically it was more rooted in this idea of a masquerade.”

…”A lot of our traditions have existed without the participation and the scrutiny of people outside of New Orleans. And for the average black person in New Orleans, including members of my own family, they simply do not connect the blackface in Zulu with minstrelsy …and they most certainly are not looking at it as an offense.”

New Orleans Group Faces Calls To End Its Use Of Blackface At Mardi Gras : NPR

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Something About Being Anonymous”: The New Orleans Mardi Gras Mask Market

Transformation of identity is a central element in Carnival, and disguising the face is a key method of transforming identity. Also, Mardi Gras krewes have enjoyed maintaining an element of secrecy (membership in groups may be kept secret; so may the identity of the kings of certain groups, for example, and members of Mardi Gras Indian groups keep their costumes secret until Mardi Gras morning), and a mask certainly helps to maintain such secrecy, enabling people to appear in public without revealing who they are, possibly performing actions with which they would not want personally to be identified. 2 The mask easily becomes emblematic of transformation, and disguise and secrecy come to be thought of as symbolic of the very institution of Carnival and the practices that are part of it.

…Folklorists, anthropologists and historians who have commented on New Orleans Mardi Gras have in fact paid little attention to the ethnography of the mask. Who dons a mask, when and exactly why they do so, how people obtain masks and exactly how they think of them are questions that have largely gone unaddressed, possibly because the basic reasons for wearing masks seem obvious. Indeed, the relatively small amount of attention that has been given to Louisiana Mardi Gras masks has been given to those used for the country form of the celebration maintained by the Cajuns and Creoles who live well west of the Big Easy. Ronnie Roshto has written specifically about the Cajun mask makers Georgie and Allen Manuel (1992), while Carl Lindahl and Carolyn Ware (1997) take a broader view, looking at masks and over a half dozen mask makers in the Cajun communities of Basile and Tee Mamou. Lindahl and Ware consider such issues as how masks enable participants to assume roles, such as that of the sauvage and the beggar (the mask, they say, confers “the freedom. . .to create a new identity” and they note “the dramatic way in which the wearer brings (“the mask ‘to life'” [56]), and their discussion of masks is integrated into a discussion of how the Cajun Mardi Gras plays out, although their primary concern is the masks themselves, including their history and the materials of their construction. 

….Carolyn Ware (2007) notes that some communities require hand-made masks for their Mardi Gras “runs,” stimulating a turn toward mask-making by local women. Ware also writes of women running Mardi Gras as having somewhat different requirements for their masks than do the men (for example, the more traditional masks made of painted wire screen mesh were thought by women to be too uncomfortable, leading to needlepoint masks). According to Ware, mask styles differ by community also (“The lavish decoration of a typical Tee Mamou mask. . . would seem over the top in Basile” [2007: 102]), and some participants have preferred commercially made rubber masks.

Something About Being Anonymous”: The New Orleans Mardi Gras Mask Market

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